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There would be a certain point in the day where maybe my wife would be doing something and I’d look at her and go, ‘I’m in the band! Look!’. “I’d plug in my little guitar, put on ‘Exile On Main Street’ and I’d play for hours. “Funnily enough, since lockdown I’ve been playing more guitar than ever,” he told NME. However, since making ‘Imposter’ and ‘Shock Collar’, Gahan said that the experiences of collaboration and having been deprived of performance due to the COVID crisis had rekindled his love of music.
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The last time Gahan spoke to NME – for the release of his Humanist collaboration ‘Shock Collar’ – he told us how he felt so “drained” from the Depeche Mode tour for their 2017 album ‘Spirit’ that he might never make music again. Neil Young or Elvis, for instance – it took a little longer to get rid of them! I mean that with the utmost respect.”ĭepeche Mode’s Dave Gahan live in 2019 (Picture: Sylvain Lefevre/Getty Images) “Some of them took a little longer, and that’s probably because of the overpowering presence of those particular singers.
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“I couldn’t even tell you how the original versions go because I felt like I wasn’t referencing them in my head or trying to mimic them in any way. “‘Strange Religion’, ‘Dark End Of The Street’ and ‘Lilac Wine’ – those three first songs and the way that they play off each other definitely clicked pretty quickly for me,” Gahan admitted. “You’ve got to let go of that and find this place that feels authentic.”Īs for feeling like he’d separated his voice from the original artists, Gahan said that “some came quicker than others” during recording. You’re always conscious of trying to please someone, especially if you’re working with whoever wrote it – like with Martin. I’ve felt more comfortable singing these songs than I’ve felt singing a lot of Martin’s songs and my own. I’ve got to tell you – it was easy making this record. “When we got in the room, that chemistry was apparent. “We’ve made a few records together with Soulsavers now and we’ve formed a chemistry,” said Gahan. Part of the experience of “doing what the fuck he wanted” involved putting as much distance as possible between the original songs and the versions they were recording. I felt held, so I could do what the fuck I wanted.” He put me in a setting with the right group of musicians and I felt entirely comfortable and supported. Rich has this ability to do that with me. “These were songs that were given to him by Rick, and Rick then assembled these musicians around him that were going to bring out the best of Johnny at that time.